| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 1708 |
|
Profane Love (Vanity) |
1514-15
Pinakothek, Munich |
| 80776 |
|
Profane Love - Vanity |
Profane Love - Vanity (1514-15, Oil on canvas)
cjr |
| 94772 |
|
Punishment of Tythus |
1549
Type oil on canvas
Dimensions 253 cm x 217 cm (100 in x 85 in)
cyf |
| 25872 |
|
Ranuccio Farnese (mk45) |
c.1542
Oil on canvas
89.7x73.6cm
Washington,National Gallery of Art.
|
| 33250 |
|
Reclining Venus |
mk83
1538
Oil on canvas
119x165cm
|
| 28067 |
|
Religion Supported by Spain |
mk61
c.1575
Oil on canvas
168x168cm
|
| 79320 |
|
Retrato de un principe Barberini |
1600(1600)
Medium Oil
cyf |
| 79690 |
|
Retrato de un principe Barberini |
1600(1600)
Medium Oil
cyf |
| 89557 |
|
Ritratto di Ludovico Beccadelli |
1552(1552)
Medium oil on canvas
cjr |
| 44906 |
|
Sacred and Profanc Love |
mk176
1515
Oil on canvas
119.3x279.4cm
|
| 30474 |
|
Sacred and Profane Love |
mk68
Oil on canvas
3'10 1/2"x9'
Rome,Borghese Gallery
1515
Italy
|
| 40308 |
|
Sacred and Profane Love |
mk156
c.1514
Oil on canvas
118x279cm
Galleria Borghese
|
| 71730 |
|
Sacred and Profane Love |
Sacred and Profane Love
|
| 94762 |
|
Saint John the Baptist |
1540
Type oil on canvas
Dimensions 201 cm x 134 cm (79 in x 53 in)
|
| 1705 |
|
Saint Sebastian |
1570
The Hermitage, St.Petersburg |
| 77806 |
|
Salome con la testa del Battista |
c. 1515
Oil on canvas
90 ?? 72 cm
cjr |
| 61118 |
|
Salome, or Judith |
Salome, or Judith; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian courtesans as models. |
| 88091 |
|
Schmerzensmutter im Gebet |
1550(1550)
Medium Oil on wood
Dimensions Deutsch: 68 x 61 cm
cjr |
| 84335 |
|
Selbstportrat |
English: c. 1567
Medium Oil on canvas
Dimensions 86 x 65 cm
cyf |
| 1697 |
|
Self Portrait |
1567-68
Museo del Prado, Madrid |
| 78986 |
|
Self portrait. |
ca. 1550-1562
Medium Oil on canvas
Dimensions 96 x 75 cm (37.8 x 29.5 in)
cyf |
| 26748 |
|
Self-Portrait |
mk52
c.1560
Oil on canvas
96.4x74.8cm
Gemaldegalerie,Berlin
|
| 26749 |
|
Self-Portrait |
mk52
1568-71
Oil on canvas
86x65cm
Prado,Madrid
|
| 28627 |
|
Self-Portrait |
mk61
c.1566
Oil on canvas
86x65cm
|
| 33296 |
|
Self-Portrait |
mk83
c.1566
oil on canvas
86x9cm
|
| 1707 |
|
Spain Succoring Religion |
1575
Museo del Prado, Madrid |
| 85025 |
|
St Ambrose |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 88791 |
|
St Ambrose |
first half of 16th century
Medium Oil on oak panel
cyf
|
| 85028 |
|
St Augustine |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 88792 |
|
St Augustine |
first half of 16th century
Medium Oil on oak panel
cyf |
| 85024 |
|
St Gregory the Great |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 88790 |
|
St Gregory the Great |
first half of 16th century
Medium Oil on oak panel
cyf |
| 85029 |
|
St Jerome |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 88793 |
|
St Jerome |
first half of 16th century
Medium Oil on oak panel
cyf |
| 41169 |
|
St John the Baptist |
mk157
c.1540
Oil on canvas
201x134cm
|
| 85030 |
|
St John the Evangelist |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 88794 |
|
St John the Evangelist |
first half of 16th century
Medium Oil on oak panel
cyf |
| 88795 |
|
St Luke |
first half of 16th century
Medium Oil on oak panel
cyf |
| 94777 |
|
St Margaret and the Dragon |
circa 1559(1559)
Medium painting
cyf |
| 85032 |
|
St Mark |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 88796 |
|
St Mark |
first half of 16th century
Medium Oil on oak panel
cyf |
| 41119 |
|
St Mark with SS Cosmas,Damian,Roch and Sebastian |
mk157
c.1510
Oil on canvas
218x149cm
|
| 28596 |
|
St Mary Magdalene |
c 1530-1535
Oil on wood 84 x 69 cm
Florence Palazzo Pitti Galleria Palatina (mk64) |
| 87609 |
|
St Mary Magdalene |
Date c. 1532(1532)
Medium Oil on wood
Dimensions Height: 84 cm (33.1 in). Width: 69 cm (27.2 in).
cjr |
| 85033 |
|
St Matthew |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 88797 |
|
St Matthew |
first half of 16th century
Medium Oil on oak panel
cyf |
| 40988 |
|
St Sebastian |
mk159
1570s
Oil on canvas
210x115cm
|
| 1689 |
|
St.Catherine of Alexandria at Prayer |
1567-68
Museum of Fine Arts, Boston |
| 1702 |
|
St.John the Baptist |
1540
Accademia Gallery, Venice |
| 29230 |
|
St.Sebastian |
mk65
Oil on canvas
82 1/2x45"
|
| 1685 |
|
Suicide of Lucretia |
1515
Art History Museum, Vienna |
| 89360 |
|
Sundenfall |
c. 1570
Medium oil on canvas
Dimensions Deutsch: 240 x 186 cm
cjr |
| 94724 |
|
Tarquin and Lucretia |
c. 1515
Type oil on canvas
Dimensions 84 cm x 68 cm (33 in x 27 in)
cyf |
| 88044 |
|
Taufe Christi mit dem Auftraggeber Giovanni Ram |
c. 1512(1512)
Medium Oil on canvas
Dimensions 115 x 89 cm
cjr |
| 61160 |
|
The Allegory of Age Governed by Prudence is thought to depict Titian, |
The Allegory of Age Governed by Prudence (c. 1565?C1570) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio. |
| 1684 |
|
The Assassin |
1515-20
Art History Museum, Vienna |
| 44905 |
|
The Bacchanal of the Andrians |
mk176
c.1522-23
Oil on canvas
175.2x193cm
|
| 40986 |
|
The Bearing of the Cross |
mk159
1560s
Oil on canvas
89.5x77cm
|
| 24519 |
|
The Child with the dogs (mk33) |
c.1570-76
|
| 28885 |
|
The Concert |
mk65
Oil on canvas
341/16x48 5/8in
Pitti,Palatine Gallery
|
| 43067 |
|
The Death of Actaeon |
mk170
circa 1570-1576
Oil on canvas
178.8x197.8cm
|
| 24159 |
|
The Death of Actaeon (mk25) |
1570-75 |
| 61144 |
|
The Death of Actaeon. |
The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting. |
| 1704 |
|
The Doge Andrea Gritti |
1535-40 National Gallery of Art, Washington DC |
| 92742 |
|
The Entombment |
between 1523(1523) and 1526(1526)
Medium oil on canvas
Dimensions Height: 148 cm (58.3 in). Width: 205 cm (80.7 in).
cjr |
| 20125 |
|
The Entombment (mk05) |
Canvas,58 1/4 x 83 1/2''(148 x 212 cm)Collections of the Gonzagas (Mantua)and of Charles I;acquired by Louis XIV from Eberhard Jabach in 1662 |
| 28625 |
|
The Entombment of Christ |
mk61
1566
Oil on canva
130x168cm
|
| 28048 |
|
The Exbortation of the Marquis del Vasto to His Troops |
mk61
1540-1541
Oil on canvas
223x165cm
|
| 61161 |
|
The Flaying of Marsyas, little known until recent decades |
The Flaying of Marsyas, little known until recent decades |
| 39593 |
|
The Girl in the Fur |
mk150
c.1535
Canvas
95x63cm
|
| 30241 |
|
The goddess becomes a woman |
nn04
|
| 39589 |
|
The Gypsy Madonna |
mk150
c.1510/11
Panel
65.8x83.5cm
|
| 42665 |
|
The heaven speed of Maria |
MK169
1516-18 Pane
l 6.9x3.6m S. Maria Gloriosa dei Frari, Venetie |
| 20116 |
|
The Man with the Glove (mk05) |
Canvas 39 1/4 x 35''(100 x 89 cm).Collections of the Gonzagas(Mantua) and Charles I;acquired from Eberhard Jabach by Louis XIV in 1671 |
| 20122 |
|
The Pardo Venus (mk05) |
Canvas,77 1/4 x 151 1/2''(196 x 385 cm)Collections of Philip II of Spain and Charles Iof England;acquired by Louis Xiv from the heirs of Cardinal Mazarin in 1661 |
| 53598 |
|
The Penitent Magdalen |
mk233
c.1561
oil on canvas
118x97cm
|
| 30493 |
|
The PenitentMagdalen |
mk68
Oil on wood
33 1/2x13 3/4"
Florence,Pitti Palace,
Palatine Gallery
1533
Italy
|
| 56690 |
|
the rape of europa |
mk247
1559 to 62,oil on canvas,72.875x112 in,185x285 cm,lsabella stewart gardner museum,boston,ma,usa |
| 61138 |
|
The Rape of Europa is a bold diagonal composition which was admired and copied by Rubens. |
The Rape of Europa (1562) is a bold diagonal composition which was admired and copied by Rubens. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colors, and vibrant brushstrokes. |
| 42667 |
|
The robbery of Europe |
MK169
1559-62 Shut down 185.4x205.7cm |
| 20123 |
|
The Supper at Emmaus (mk05) |
ca 1535
Canvas,661/2 x 96''(169 x 244 cm)Collections of the Gonzagas (Mantua)and Charles I;acquired by Louis XIV from Eberhard Jabach in 1662 |
| 1678 |
|
The Three Ages of Man |
1511-12
National Gallery of Scotland, Edinburgh |
| 50857 |
|
THe Three ages of Man |
mk216
The Cornestone of Venetian art was colour and the artist-s gift
|
| 43064 |
|
The Vendramin Family |
mk170
1545-1547
Oil on canvas
206.1x288.5cm
|
| 30495 |
|
The Venus of Urbino |
mk68
Oil on canvas
Florence,Uffizi.
1538
Italy
|
| 91535 |
|
The Venus of Urbino |
Oil on canvas, 119 x 165 cm Galleria degli Uffizi, Florence
Date before 1538(1538)
Dimensions Height: 119 cm (46.9 in). Width: 165 cm (65 in).
cyf |
| 43039 |
|
The Virgin and Child with Saint John the Baptist and Saint Catherine |
mk170
1525-1530
Oil on canvas
100.6x142.2cm
|
| 41972 |
|
The Virgin with the rabbit |
mk166
1530
I Wave on cloth
71x87cm
Museum of the Louvre Paris
|
| 20124 |
|
The Virgin with the Rabit (mk05) |
1530
Canvas,28 x 34 1/4''(71 x 87 cm).Perhaps may have Federigo Gonzaga as a shepherd.Finished for Gonzaga in 1530;given to Cardinal Richelieu in about 1624 or 1625;acquired by Louis XIV from the Duc de Richelieu in 1665 |
| 1681 |
|
The Worship of Venus |
1516-18
Museo del Prado, Madrid |
| 61109 |
|
This early portrait |
This early portrait (c. 1512) was long wrongly believed to be of Ariosto; it is more likely a self-portrait, and the composition was borrowed by Rembrandt for his own self-portraits. |
| 85031 |
|
Titian |
Date first half of 16th century
Medium Oil on oak panel
cjr |
| 61107 |
|
Titian self portrait, |
Titian self-portrait, c.1567; Museo del Prado, Madrid |
| 61135 |
|
Titian state portrait of Emperor Charles V at Mehlberg established a new genre, |
Titian's state portrait of Emperor Charles V at Mehlberg (1548) established a new genre, that of the grand equestrian portrait. The composition is steeped both in the Roman tradition of equestrian sculpture and in the medieval representations of an ideal Christian knight, but the weary figure and face have a subtlety few such representations attempt. |
| 61136 |
|
Titian unmatched handling of color is exemplified by his Danae, |
Titian's unmatched handling of color is exemplified by his Danae, one of several mythological paintings, or "poesie" ("poems") as the painter called them, done for Philip II of Spain. Although Michelangelo adjudged this piece deficient from the point of view of drawing, Titian and his studio produced several versions for other patrons. |
| 28622 |
|
Tityus |
mk61
1549
Oil on canvas
253x217cm
|
| 1683 |
|
Tribute Money |
1516-18
Gemäldegalerie, Dresden |
| 28842 |
|
Venus |
mk65
Oil on canvas
46 7/8x65in
|
| 28591 |
|
Venus Anadyomenes |
1525
Oil on canvas 73.6 x 58.4 cm
Edinburgh Duke of Sutherland Collection on loan to the National Gallery of Scotland (mk64) |
| 1694 |
|
Venus and Adonis |
1553-54
Museo del Prado, Madrid |
