Alla Jean-Baptiste Greuzes Oljemålningar



ID Bilder  Oljemålningar Från A till Z     Information
78346  
Jean-Baptiste Greuze, ''Portrait of Count Stroganov as a Child
 
''Portrait of Count Stroganov as a Child 1778 cjr
43246  
Jean-Baptiste Greuze, A Girl
 
A Girl mk170 1765-1780 Oil on canvas 47x39.4cm
28331  
Jean-Baptiste Greuze, A Girl with a Doll
 
A Girl with a Doll mk60 1778 Oil on canvas 19 1/2"x16"
29271  
Jean-Baptiste Greuze, A Visit to the Priest
 
A Visit to the Priest mk65 1786 Oil on canvas 49 1/2x63"
29339  
Jean-Baptiste Greuze, A Young Man in a Hat
 
A Young Man in a Hat mk65 1750s Oil on canvas 24x19 1/2"
28330  
Jean-Baptiste Greuze, Count P.A Stroganov as a Child
 
Count P.A Stroganov as a Child mk60 1778 Oil on canvas 18 1/2"16"
29377  
Jean-Baptiste Greuze, Countess E.P.Shuvalova
 
Countess E.P.Shuvalova mk65 ca.1780 Oil on canvas 23 1/2x19 1/2"
26966  
Jean-Baptiste Greuze, jean-baptiste greuze
 
jean-baptiste greuze mk52 c.1803 Oil on wood 52.5x45.5cm Musee des Beaux-Arts,Marseilles
33779  
Jean-Baptiste Greuze, L'Accordee du  Village
 
L'Accordee du Village mk86 1761 Oil on canvas 90x118cm Paris,Musee National du Louvre
79742  
Jean-Baptiste Greuze, L'enfant a la colombe
 
L'enfant a la colombe Oil on canvas 64,4 x 53,3 cm cjr
77593  
Jean-Baptiste Greuze, Portrait de Claude Henri Watelet
 
Portrait de Claude Henri Watelet between 1763(1763) and 1765(1765) Oil on canvas 115 ?? 188 cm (45.3 ?? 74 in) cjr
77446  
Jean-Baptiste Greuze, Portrait de jeune fille au ruban bleu
 
Portrait de jeune fille au ruban bleu 18th century Oil on canvas cjr
78052  
Jean-Baptiste Greuze, Portrait of a Boy
 
Portrait of a Boy 18th century Oil on canvas 34 x 45 cm (13.4 x 17.7 in) cjr
76620  
Jean-Baptiste Greuze, Portrait of a Lady, Called Sophie Arnould
 
Portrait of a Lady, Called Sophie Arnould ca. 1773(1773) Oil on canvas 49.6 ?? 39.3 cm (19.5 ?? 15.5 in) cjr
75454  
Jean-Baptiste Greuze, Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould
 
Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould ca. 1786(1786) Oil on canvas 61 X 50.4 cm (24 X 19.8 in) cjr
76735  
Jean-Baptiste Greuze, Portrait of Jacques Gabriel French architect
 
Portrait of Jacques Gabriel French architect Mid-18th century Oil on linen 65 ?? 54 cm (25.6 ?? 21.3 in) cjr
77871  
Jean-Baptiste Greuze, Portrait of the Countess Schouwaloff
 
Portrait of the Countess Schouwaloff 1770s cjr
68410  
Jean-Baptiste Greuze, Portrat eines jungen Madchens
 
Portrat eines jungen Madchens English: c. 1770-1780 Oil on canvas Deutsch: 50 ?? 38 cm
30623  
Jean-Baptiste Greuze, The Broken jug
 
The Broken jug mk68 Oil on canvas Paris,Louvre c.1759 Italy
72537  
Jean-Baptiste Greuze, The Inconsolable Widow
 
The Inconsolable Widow before 1763 Oil on canvas 40 32 cm cjr
33778  
Jean-Baptiste Greuze, The Lamentation of Time Passing
 
The Lamentation of Time Passing mk86 c.1775 Oil on canvas 79x61cm Munich,Bayerische Staatsgemaldesamm-lungen,Alte Pinakothek
72013  
Jean-Baptiste Greuze, The Spoiled Child
 
The Spoiled Child 1765 Oil on canvas
30626  
Jean-Baptiste Greuze, The Village Marriage Contract
 
The Village Marriage Contract mk68 Oil on canvas Paris,Louvre 1761 France
31813  
Jean-Baptiste Greuze, The Wool winder
 
The Wool winder mk76 Painted probably in 1759 Oil on canvas 29 3/8x24 1/8in
37376  
Jean-Baptiste Greuze, The wool Winder
 
The wool Winder mk125
78191  
Jean-Baptiste Greuze, Therese de Savoie
 
Therese de Savoie 1775(1775) Medium Oil on canvas Dimensions 86 x 68 cm (33.9 x 26.8 in) cyf
73470  
Jean-Baptiste Greuze, Young Girl Weeping for her Dead Bird
 
Young Girl Weeping for her Dead Bird Young Girl Weeping for her Dead Bird c. 1759 cjr

Jean-Baptiste Greuze
French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (tetes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Franeois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Arsene Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre.



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