Alla Arthur Deviss Oljemålningar

Bilder

Oljemålningar Från A till Z

Information

39807

A Portrait of Captain James Urmston

mk153 1750

19093

Benedick in the Arbor

1852-54 Oil on panel Munro Family Collection.

86574

Double Portrait of Alicia and Jane Clarke in a Wooden Landscape

18th century Medium Oil on canvas Dimensions 91.5 x 71 cm (36 x 28 in) cyf

19097

Edward Robert Hughes as a Child

1854-55 Oil on canvas Fitzwilliam Museum, Cambridge.

19096

Fair Rosamund

1854 Oil on board National Gallery of Victoria, Melbourne.

40925

Gentleman and Lady in a Landscape

mk158 1747-49

48451

Henry Fiennes Clinton,9th Earl of Lincoln,with his wife,Catherine and his son,George,on the great terrace at Oatlands

mk190 Surrey c.1750-51

19098

Home from Sea

1856-57 Oil on panel Ashmolean Museum, Oxford.

81937

Mr Peter Ducane

Date 1747(1747) Medium Oil on canvas cyf

76914

Mr Peter Ducane, Mary, nee Norris, his wife The Ducane Children

1747(1747) Oil on canvas 63.5x43.2cms and 3. 63.5x46.2 cjr

48449

Mrs Edward Travers in a landscape garden

mk190 1751

50897

Nelson-s death-bed

mk216 on board the Victory

19092

Ophelia

1852, retouched 1857-58 Oil on panel.

48452

Philip Howard Seated before a panorama of the river Eden at Corby Castle

mk190 Cumberland 1753

19091

Portrait of an Elderly Woman

1851 Oil on canvas Private collection.

74926

Portrait of an unknown Lady

from 1750(1750) until 1755(1755) Oil on canvas 610 X 406 cm (240.16 X 159.84 in) cjr

76489

Portrait of an unknown Lady

Date from 1750(1750) until 1755(1755) Medium Oil on canvas Dimensions 610 ?? 406 cm (240.2 ?? 159.8 in) cyf

48448

Probably Dorothy Savile,Countess of Burlington,seated in the Orange tree garden at Chiswick

mk190 c.1741-2

82883

Robert Manners-Sutton

oil on canvas 65 x 51 cm Date 18th century cjr

86721

Robert Manners-Sutton

oil on canvas 65 x 51 cm cyf

19090

Self-Portrait

1850-51 Oil on board National Portrait Gallery.

969

Sir Nathaniel and Lady Caroline Curzon

1754

19099

The Annunciation

1857-58 Oil and pencil on canvas Birmingham Museums and Art Gallery.

82732

The brothers Boldero

1752(1752) Medium Oil cyf

79172

The Ducane Children Peter Ducane

1747(1747) Medium Oil on canvas Dimensions 1 & 2. 63.5x43.2cms, 3. 63.5x46.2 cyf

31321

The John Bacon Family

nn07 about 1742-43 Oil on canvas 30 x 51 5/8 in. (76.6 x 131.1 cm) Yale Center for British Art

19101

The Knight of the Sun

1859-60 Oil on canvas.

19095

The Long Engagement

1853-55 Oil on canvas Birmingham Museums & Art Gallery.

19100

The Nativity

1857-58 Oil and gold leaf canvas Birmingham Museums and Art Gallery.

19102

The Woodman's Child

1860 Oil on canvas Tate Gallery, London.

19089

The Young Poet

1849, retouched at a later date Oil on canvas Birmingham Museums & Art Gallery.

78930

Triptych: Mr Peter Ducane, Mary, nee Norris, his wife and The Ducane Children

1747(1747) Oil on canvas 1 & 2. 63.5x43.2cms, 3. 63.5x46.2 cjr

48447

Unknown man in a landscape garden

mk190 1740-41 The garden is probably fictitious

Arthur Devis

1712-1787 English By 1728 he had left Preston, and the following year he was working in London for the Flemish topographical and sporting painter Peter Tillemans. There he specialized in landscape painting and copying various works in Tillemans studio after Marco Ricci, Giovanni Paolo Panini and Jan van Bloemen. Devis earliest known commission, Hoghton Towers from Duxon Hill, Lancashire (1735; priv. col., see 1983 exh. cat., no. 3), painted for Sir Henry Hoghton during a trip to Preston in 1734-5, shows Tillemans influence in its attention to detail and the use of thin, transparent paint. Thomas Lister with his Family (c. 1738; Chicago, IL, A. Inst.) demonstrates a similar interest in landscape, featuring the family group in Gisburn Park, Lancs. Devis had returned to London by 1742 and established himself as a painter of conversation pieces, with a studio in Great Queen Street. Roger Hesketh with his Family is typical of his work at this time; it shows how Devis transformed the intimacy of a Dutch 17th-century genre scene into an elegant interior with the group of sitters connected by formal, schematic gestures. Roger Hesketh stands apart, in a tastefully contrived pose, his legs crossed and right arm thrust inside his waistcoat. His son, Fleetwood, stands with his hand resting on a dog next to his wife, who is seated with an infant on her lap. The adjacent telescope, globe and marine paintings are intended to advertise Hesketh interest in astronomy and travel.

Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors