Las ˇleos de todo Mary Cassatt


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ID Image  Painting (From A to Z)       Details 
58312  
Mary Cassatt, A Corner of the Loge
 
 A Corner of the Loge   A Corner of the Loge (also known as In the Box), 1879, Privately held
49806  
Mary Cassatt, A cup of tea
 
 A cup of tea   mk205 1879 Oil on canvas 92.4x65.4cm
3131  
Mary Cassatt, A Kiss for Baby Anne
 
 A Kiss for Baby Anne   1897 Baltimore Museum of Art
3173  
Mary Cassatt, A Musical Party
 
 A Musical Party   1874
30836  
Mary Cassatt, A Woman and a Girl Driving
 
 A Woman and a Girl Driving   mk68 Oil on canvas Philadelphia Philadelphia Museum of Art 1879 France
54454  
Mary Cassatt, A Woman and Child in the Driving Seat
 
 A Woman and Child in the Driving Seat   mk231 1879 Oil on canvas
3142  
Mary Cassatt, After the Bath
 
 After the Bath  
49889  
Mary Cassatt, After the bath
 
 After the bath   mk205 about 1901 oil on canvas 66x100cm
58308  
Mary Cassatt, After the Bullfight
 
 After the Bullfight   After the Bullfight, 1873, Art Institute of Chicago
49887  
Mary Cassatt, Afternoon tea
 
 Afternoon tea   mk205 1880 Oil o ncanvas 64.8x92.7cm
49833  
Mary Cassatt, Agatha with her child
 
 Agatha with her child   mk205 about 1891 Oil on tempera 66x55.9cm
49858  
Mary Cassatt, Alan and Jadena
 
 Alan and Jadena   mk205 1899 Oil on tempera 63.5x47.6cm
49866  
Mary Cassatt, Alan wearing the blue hat
 
 Alan wearing the blue hat   mk205 about 1905 Oil on canvas 81.2x61cm
49822  
Mary Cassatt, Alexander and his son Robert
 
 Alexander and his son Robert   mk205 1884-1885 Oil on canvas 99x81.2cm
3163  
Mary Cassatt, Alexander J Cassatt and his son Robert Kelso
 
 Alexander J Cassatt and his son Robert Kelso   1884-85 Philadelphia Museum of Art
49827  
Mary Cassatt, Amy and her child
 
 Amy and her child   mk205 1889 Oil on canvas 89.8x64.4cm
49808  
Mary Cassatt, Artist
 
 Artist   mk205 circa 1880 Oil on canvas 93x65cm
49809  
Mary Cassatt, Artist in the garden
 
 Artist in the garden   mk205 1880 Oil on canvas 90.1x65cm
49810  
Mary Cassatt, Artist-s brother
 
 Artist-s brother   mk205 1880 Oil on canvas 65.4x92.4cm
49824  
Mary Cassatt, Artist-s father
 
 Artist-s father   mk205 1885 Oil on canvas 91.4x71cm
49803  
Mary Cassatt, Artist-s mother
 
 Artist-s mother   mk205 1877-1878 Oil on canvas 101x81.2cm
49802  
Mary Cassatt, Artist-s sister
 
 Artist-s sister   mk205 1878-1879 Oil on canvas 81.2x59.6cm
49805  
Mary Cassatt, At the garden
 
 At the garden   mk205 1878 Oil on canvas 73.6x92.6cm
3180  
Mary Cassatt, At the Opera
 
 At the Opera   1879
3181  
Mary Cassatt, At the Opera
 
 At the Opera  
3182  
Mary Cassatt, At the Opera
 
 At the Opera  
54460  
Mary Cassatt, At the Opera
 
 At the Opera   mk235 1880 Oil on canvs 80x64cm
3188  
Mary Cassatt, At the Theatre
 
 At the Theatre   1879
3189  
Mary Cassatt, At the Theatre
 
 At the Theatre   1879
58329  
Mary Cassatt, At the Window
 
 At the Window   At the Window, 1889, Louvre
3162  
Mary Cassatt, Baby Reaching for an Apple
 
 Baby Reaching for an Apple   1893 Museum of Fine Arts, Richmond, Virginia
49836  
Mary Cassatt, Baby-s touching
 
 Baby-s touching   mk205 1891 Oil on canvas 76.2x61cm
49820  
Mary Cassatt, Balcony
 
 Balcony   mk205 1882 Oil on canvas 80x63.8cm
49843  
Mary Cassatt, Banjo class
 
 Banjo class   mk205 1894 Oil on canvas 71.1x57.2cm
49837  
Mary Cassatt, Bath
 
 Bath   mk205 1891-1892 Oil on canvas 100.3x66cm
53898  
Mary Cassatt, Being young girl who syr
 
 Being young girl who syr   mk234 1880-82 92x63cm
49846  
Mary Cassatt, Betweenmaid reading for little girl
 
 Betweenmaid reading for little girl   mk205 1895 Oil on tempera 60.3x73.3cm
49847  
Mary Cassatt, Betweenmaid with kid
 
 Betweenmaid with kid   mk205 1896-1897 Oil on canvas 80x66.7cm
49840  
Mary Cassatt, Boy wearing the mariner clothes
 
 Boy wearing the mariner clothes   mk205 1892 Oil on tempera 63.5x48.2cm
3151  
Mary Cassatt, Breakfast in Bed
 
 Breakfast in Bed  
49888  
Mary Cassatt, Breakfast on bed
 
 Breakfast on bed   mk205 1897 Oil on canvas 58.4x73.6cm
49826  
Mary Cassatt, Child  in mother-s arm
 
 Child in mother-s arm   mk205 1889 oil on canvas 63.5x48.2cm
71946  
Mary Cassatt, Child in a Straw Hat
 
 Child in a Straw Hat   circa 1886 Oil on canvas 65.3 X 49.2 cm (25.71 X 19.37 in)
73361  
Mary Cassatt, Child in a Straw Hat
 
 Child in a Straw Hat   Date circa 1886 Medium Oil on canvas Dimensions 65.3 X 49.2 cm (25.71 X 19.37 in) cyf
73942  
Mary Cassatt, Child s Bath
 
 Child s Bath   39 1/2 in. x 26 in. Courtesy of the Art Institute of Chicago, Chicago, Illinois. Date 1893(1893) cyf
3170  
Mary Cassatt, Child with Red Hat
 
 Child with Red Hat  
54471  
Mary Cassatt, Children on the Beach
 
 Children on the Beach   mk235 1884 Oil on canvas 97.6x74.2cm
58324  
Mary Cassatt, Children on the Beach
 
 Children on the Beach   Children on the Beach, 1884, National Gallery of Art
3141  
Mary Cassatt, Children Playing on the Beach
 
 Children Playing on the Beach  
49882  
Mary Cassatt, Concert
 
 Concert   mk205 about 1874 Oil on canvas 96.5x66cm
31706  
Mary Cassatt, Dame prenant le the
 
 Dame prenant le the   mk74 1885 73.7x61cm
58304  
Mary Cassatt, Degas, Portrait of Miss Cassatt
 
 Degas, Portrait of Miss Cassatt   Degas, Portrait of Miss Cassatt, Seated, Holding Cards, c. 1876-1878, oil on canvas
48729  
Mary Cassatt, Detail of  The woman in Black
 
 Detail of The woman in Black   mk191 Oil on canvas
42078  
Mary Cassatt, Drinks trying to reach an apple
 
 Drinks trying to reach an apple   mk166 1893 I Wave on cloth 100x65cm Museum of Fine Arts of Virgina, Richmond, Virginia
58314  
Mary Cassatt, Elsie in a Blue Chair
 
 Elsie in a Blue Chair   Elsie in a Blue Chair, 1880
49839  
Mary Cassatt, Family
 
 Family   mk205 about 1892 Oil on canvas 81.9x66.3cm
3137  
Mary Cassatt, Feeding the Ducks
 
 Feeding the Ducks   1895 Metropolitan Museum of Art, New York
3135  
Mary Cassatt, Fillette au Grand Chapeau
 
 Fillette au Grand Chapeau   1908 Henry E Huntington Library and Art Gallery, San Marino, CA
44787  
Mary Cassatt, Fillette au Grand Chapeau
 
 Fillette au Grand Chapeau   mk177 c.1908 Pastel on buff paper 25x19
48755  
Mary Cassatt, Float boat
 
 Float boat   mk191 Oil on canvas
49844  
Mary Cassatt, Floating boat
 
 Floating boat   mk205 1893-1894 Oil on canvas 90x117cm
3144  
Mary Cassatt, Gathering Fruit
 
 Gathering Fruit  
49857  
Mary Cassatt, Get up
 
 Get up   mk205 about 1899 Oil on canvas 92.7x73.7cm
58328  
Mary Cassatt, Girl Arranging her Hair
 
 Girl Arranging her Hair   Girl Arranging her Hair, 1886, National Gallery of Art
71345  
Mary Cassatt, Girl Arranging Her Hair
 
 Girl Arranging Her Hair   1886, Mary Cassatt) located inside the National Gallery of Art's West Building in Washington, D.C.
98211  
Mary Cassatt, Girl Arranging Her Hair 1886
 
 Girl Arranging Her Hair 1886   1886(1886) Medium oil on canvas Dimensions 75.1 x 62.5 cm cyf
3166  
Mary Cassatt, Girl Sewing
 
 Girl Sewing   1880-82 Musee d'Orsay, Paris
3167  
Mary Cassatt, Helene Septeuil
 
 Helene Septeuil   1889 William Benton Museum of Art, Storrs, CT
49849  
Mary Cassatt, Hot chocolate
 
 Hot chocolate   mk205 1897 Oil on canvas 54x73cm
3130  
Mary Cassatt, In the Garden ff
 
 In the Garden ff   1893 The Baltimore Museum of Art
58310  
Mary Cassatt, In the Loge
 
 In the Loge   In the Loge (also known as At the Opera), 1878, Museum of Fine Arts, Boston
45400  
Mary Cassatt, Junge Frauen beim Obstpflucken
 
 Junge Frauen beim Obstpflucken   mk181 1891 Ol auf Leinwand 130.5x90.8cm
49864  
Mary Cassatt, Kiss
 
 Kiss   mk205 1902 Oil on canvas 83.4x69.4cm
89226  
Mary Cassatt, Kleines Madchen im blauen Fauteuil
 
 Kleines Madchen im blauen Fauteuil   1878(1878) Medium oil on canvas Dimensions Deutsch: 89 x 129,5 cm cjr
31705  
Mary Cassatt, La Lettre
 
 La Lettre   mk75 1891 34.6x22.7cm
3171  
Mary Cassatt, Lady at the Tea Table
 
 Lady at the Tea Table   1885 Metropolitan Museum of Art, New York
54469  
Mary Cassatt, Lady at the Tea table
 
 Lady at the Tea table   mk235 1885 Oil on canvas
54470  
Mary Cassatt, Lady at the Tea Table
 
 Lady at the Tea Table   mk235 1885 Oil on canvas 74x61cm
56314  
Mary Cassatt, lady at the tea table
 
 lady at the tea table   mk247 1885,oil on canvs,29x24 in,74x61 cm,metropolitan museum of art,new york,ny,usa
58326  
Mary Cassatt, Lady at the Tea Table
 
 Lady at the Tea Table   Lady at the Tea Table, c.1884, Metropolitan Museum of Art
49877  
Mary Cassatt, Lady in front of the dressing table
 
 Lady in front of the dressing table   mk205 1909 Oil on canvas 95.8x72.4cm
49870  
Mary Cassatt, lady is sewing in front of the window
 
 lady is sewing in front of the window   mk205 1905-1910 Oil on canvas 80.6x60.3cm
54456  
Mary Cassatt, Ligttle Girl in a Blue Armchari
 
 Ligttle Girl in a Blue Armchari   mk235 1878 Oil on canvas 89.5x129.8cm
58317  
Mary Cassatt, Lilacs in a Window
 
 Lilacs in a Window   Lilacs in a Window, 1880, Metropolitan Museum of Art
40769  
Mary Cassatt, Little Girl in a Blue Amchair
 
 Little Girl in a Blue Amchair   mk156 1878 Oil on canvas 89.5x129.8cm
3176  
Mary Cassatt, Little Girl in a Blue Armchair
 
 Little Girl in a Blue Armchair   1878 89.5 x 129.8 cm National Gallery of Art, Washington
3177  
Mary Cassatt, Little Girl in a Blue Armchair
 
 Little Girl in a Blue Armchair   1878 89.5 x 129.8 cm National Gallery of Art, Washington
58309  
Mary Cassatt, Little Girl in a Blue Armchair
 
 Little Girl in a Blue Armchair   Little Girl in a Blue Armchair, 1878, National Gallery of Art
81802  
Mary Cassatt, Louisine Havemeyer and her daughter Electra
 
 Louisine Havemeyer and her daughter Electra   Date 1895(1895) Medium English: oil on canvas Dimensions Deutsch: 61 x 77,5 cm cjr
44789  
Mary Cassatt, Lydia at a Tapestry Loom
 
 Lydia at a Tapestry Loom   mk177 c.1881 Oil on cnavas 25x36
58321  
Mary Cassatt, Lydia at the Tapestry Loom
 
 Lydia at the Tapestry Loom   Lydia at the Tapestry Loom, 1881, Flint Institute of the Arts
58316  
Mary Cassatt, Lydia at the Theatre
 
 Lydia at the Theatre   Lydia at the Theatre, 1880, Nelson-Atkins Museum of Art
54463  
Mary Cassatt, Lydia Crocheting in the Garden at Marly
 
 Lydia Crocheting in the Garden at Marly   mk235 1880 Oil on canvas New York
3175  
Mary Cassatt, Lydia in a Loge Wearing a Pearl Necklace
 
 Lydia in a Loge Wearing a Pearl Necklace   1879 31 5/8 x 23 in (80.3 x 58.4 cm) Philadelphia Museum of Art
49867  
Mary Cassatt, Mageter in the blue dress
 
 Mageter in the blue dress   mk205 1902 Oil on canvas 61x49.8cm
3134  
Mary Cassatt, Margot in Blue
 
 Margot in Blue   1902 The Walters Art Gallery, Baltimore, Maryland
49804  
Mary Cassatt, Mary
 
 Mary   mk205 circa 1879 OIl on canvas 55.4x46.1cm
49885  
Mary Cassatt, Mary in the garden
 
 Mary in the garden   mk205 about 1880 Oil on canvas 27.3x40.6cm
49813  
Mary Cassatt, Mary is sewing in the garden
 
 Mary is sewing in the garden   mk205 1880 Oil on canvas 66x94cm
49816  
Mary Cassatt, Mary is weaving
 
 Mary is weaving   mk205 1881 Oil on canvas 65x92.4cm

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Mary Cassatt
1844-1926 Mary Cassatt Galleries Within months of her return to Europe in the autumn of 1871, Cassatt??s prospects had brightened. Her painting Two Women Throwing Flowers During Carnival was well received in the Salon of 1872, and was purchased. She attracted much favorable notice in Parma and was supported and encouraged by the art community there: ??All Parma is talking of Miss Cassatt and her picture, and everyone is anxious to know her??. After completing her commission for the archbishop, Cassatt traveled to Madrid and Seville, where she painted a group of paintings of Spanish subjects, including Spanish Dancer Wearing a Lace Mantilla (1873, in the National Museum of American Art, Smithsonian Institution). In 1874, she made the decision to take up residence in France. She was joined by her sister Lydia who shared an apartment with her. Cassatt continued to express criticism of the politics of the Salon and the conventional taste that prevailed there. She was blunt in her comments, as reported by Sartain, who wrote: ??she is entirely too slashing, snubs all modern art, disdains the Salon pictures of Cabanel, Bonnat, all the names we are used to revere??. Cassatt saw that works by female artists were often dismissed with contempt unless the artist had a friend or protector on the jury, and she would not flirt with jurors to curry favor. Her cynicism grew when one of the two pictures she submitted in 1875 was refused by the jury, only to be accepted the following year after she darkened the background. She had quarrels with Sartain, who thought Cassatt too outspoken and self-centered, and eventually they parted. Out of her distress and self-criticism, Cassatt decided that she needed to move away from genre paintings and onto more fashionable subjects, in order to attract portrait commissions from American socialites abroad, but that attempt bore little fruit at first. In 1877, both her entries were rejected, and for the first time in seven years she had no works in the Salon. At this low point in her career she was invited by Edgar Degas to show her works with the Impressionists, a group that had begun their own series of independent exhibitions in 1874 with much attendant notoriety. The Impressionists (also known as the ??Independents?? or ??Intransigents??) had no formal manifesto and varied considerably in subject matter and technique. They tended to prefer open air painting and the application of vibrant color in separate strokes with little pre-mixing, which allows the eye to merge the results in an ??impressionistic?? manner. The Impressionists had been receiving the wrath of the critics for several years. Henry Bacon, a friend of the Cassatts, thought that the Impressionists were so radical that they were ??afflicted with some hitherto unknown disease of the eye??. They already had one female member, artist Berthe Morisot, who became Cassatt??s friend and colleague. Degas, Portrait of Miss Cassatt, Seated, Holding Cards, c. 1876-1878, oil on canvasCassatt admired Degas, whose pastels had made a powerful impression on her when she encountered them in an art dealer's window in 1875. "I used to go and flatten my nose against that window and absorb all I could of his art," she later recalled. "It changed my life. I saw art then as I wanted to see it." She accepted Degas' invitation with enthusiasm, and began preparing paintings for the next Impressionist show, planned for 1878, which (after a postponement because of the World??s Fair) took place on April 10, 1879. She felt comfortable with the Impressionists and joined their cause enthusiastically, declaring: ??we are carrying on a despairing fight & need all our forces??. Unable to attend cafes with them without attracting unfavorable attention, she met with them privately and at exhibitions. She now hoped for commercial success selling paintings to the sophisticated Parisians who preferred the avant-garde. Her style had gained a new spontaneity during the intervening two years. Previously a studio-bound artist, she had adopted the practice of carrying a sketchbook with her while out-of-doors or at the theater, and recording the scenes she saw. Summertime, c. 1894, oil on canvasIn 1877, Cassatt was joined in Paris by her father and mother, who returned with her sister Lydia. Mary valued their companionship, as neither she nor Lydia had married. Mary had decided early in life that marriage would be incompatible with her career. Lydia, who was frequently painted by her sister, suffered from recurrent bouts of illness, and her death in 1882 left Cassatt temporarily unable to work. Cassatt??s father insisted that her studio and supplies be covered by her sales, which were still meager. Afraid of having to paint ??potboilers?? to make ends meet, Cassatt applied herself to produce some quality paintings for the next Impressionist exhibition. Three of her most accomplished works from 1878 were Portrait of the Artist (self-portrait), Little Girl in a Blue Armchair, and Reading Le Figaro (portrait of her mother). Degas had considerable influence on Cassatt. She became extremely proficient in the use of pastels, eventually creating many of her most important works in this medium. Degas also introduced her to etching, of which he was a recognized master. The two worked side-by-side for awhile, and her draftsmanship gained considerable strength under his tutelage. He depicted her in a series of etchings recording their trips to the Louvre. She had strong feelings for him but learned not to expect too much from his fickle and temperamental nature. The sophisticated and well-dressed Degas, then forty-five, was a welcome dinner guest at the Cassatt residence. The Impressionist exhibit of 1879 was the most successful to date, despite the absence of Renoir, Sisley, Manet and C??zanne, who were attempting once again to gain recognition at the Salon. Through the efforts of Gustave Caillebotte, who organized and underwrote the show, the group made a profit and sold many works, although the criticism continued as harsh as ever. The Revue des Deux Mondes wrote, ??M. Degas and Mlle. Cassatt are, nevertheless, the only artists who distinguish themselves??and who offer some attraction and some excuse in the pretentious show of window dressing and infantile daubing??. Cassatt displayed eleven works, including La Loge. Although critics claimed that Cassatt??s colors were too bright and that her portraits were too accurate to be flattering to the subjects, her work was not savaged as was Monet's, whose circumstances were the most desperate of all the Impressionists at that time. She used her share of the profits to purchase a work by Degas and one by Monet. She exhibited in the Impressionist Exhibitions that followed in 1880 and 1881, and she remained an active member of the Impressionist circle until 1886. In 1886, Cassatt provided two paintings for the first Impressionist exhibition in the United States, organized by art dealer Paul Durand-Ruel. Her friend Louisine Elder married Harry Havemeyer in 1883, and with Cassatt as advisor, the couple began collecting the Impressionists on a grand scale. Much of their vast collection is now in the Metropolitan Museum of Art in New York City. She also made several portraits of family members during that period, of which Portrait of Alexander Cassatt and His Son Robert Kelso (1885) is one of her best regarded. Cassatt??s style then evolved, and she moved away from Impressionism to a simpler, more straightforward approach. She began to exhibit her works in New York galleries as well. After 1886, Cassatt no longer identified herself with any art movement and experimented with a variety of techniques.



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