Las ˇleos de todo CORNELIS VAN HAARLEM


ID Image  Painting (From A to Z)       Details 
70870  
CORNELIS VAN HAARLEM, baptism of Christ
 
 baptism of Christ   Medium Oil on canvas Dimensions 170.5 x 206 cm
24597  
CORNELIS VAN HAARLEM, Fohn the Baptist preaching (mk33)
 
 Fohn the Baptist preaching (mk33)   London The National Gallery
73242  
CORNELIS VAN HAARLEM, Holy Family
 
 Holy Family   oil on canvas, by the Dutch artist Cornelis van Haarlem. 86.4 cm x 59.1 cm cyf
6159  
CORNELIS VAN HAARLEM, Madonna and Child  vinxg
 
 Madonna and Child vinxg   1617 Oil on canvas, 97 x 80 cm Amstelkring Museum, Amsterdam
6161  
CORNELIS VAN HAARLEM, Massacre of the Innocents dsf
 
 Massacre of the Innocents dsf   1591 Oil on canvas Frans Halsmuseum, Haarlem
6160  
CORNELIS VAN HAARLEM, Massacre of the Innocents sdf
 
 Massacre of the Innocents sdf   1590 Oil on canvas, 245 x 358 cm Rijksmuseum, Amsterdam
6158  
CORNELIS VAN HAARLEM, The Baptism of Christ fd
 
 The Baptism of Christ fd   Oil on canvas Mus??e du Louvre, Paris
71913  
CORNELIS VAN HAARLEM, The fall of Lucifer.
 
 The fall of Lucifer.   ca. 1588(1588) (1588-1590) Oil on canvas 239 x 307 cm (94.09 x 120.87 in)
6162  
CORNELIS VAN HAARLEM, The Monk and the Nun ds
 
 The Monk and the Nun ds   1591 Oil on canvas Frans Halsmuseum, Haarlem
6156  
CORNELIS VAN HAARLEM, The Wedding of Peleus and Thetis (detail) dfg
 
 The Wedding of Peleus and Thetis (detail) dfg   1593 Oil on canvas Frans Halsmuseum, Haarlem
6155  
CORNELIS VAN HAARLEM, The Wedding of Peleus and Thetis (detail) fd
 
 The Wedding of Peleus and Thetis (detail) fd   1593 Oil on canvas Frans Halsmuseum, Haarlem
6154  
CORNELIS VAN HAARLEM, The Wedding of Peleus and Thetis (detail) fdg
 
 The Wedding of Peleus and Thetis (detail) fdg   1593 Oil on canvas Frans Halsmuseum, Haarlem
6157  
CORNELIS VAN HAARLEM, The Wedding of Peleus and Thetis (detail) sd
 
 The Wedding of Peleus and Thetis (detail) sd   1593 Oil on canvas Frans Halsmuseum, Haarlem
6153  
CORNELIS VAN HAARLEM, The Wedding of Peleus and Thetis df
 
 The Wedding of Peleus and Thetis df   1593 Oil on canvas, 240 x 420 cm Frans Halsmuseum, Haarlem
72290  
CORNELIS VAN HAARLEM, Venus and Adonis as lovers
 
 Venus and Adonis as lovers   1614(1614) Oil on canvas 95 X 74.2 cm (37.4 X 29.21 in) cjr
71761  
CORNELIS VAN HAARLEM, Venus and Mars
 
 Venus and Mars   1628 Oil on panel 31.5 x 42 cm (12.4 x 16.54 in)

CORNELIS VAN HAARLEM
Dutch painter (b. 1562, Haarlem, d. 1638, Dutch painter and draughtsman, was one of the leading Northern Mannerist artists in The Netherlands, and an important forerunner of Frans Hals as a portraitist. Cornelis Corneliszoon was a member of the Mannerist school of Haarlem, which was highly influenced by the work of Bartholomeus Spranger, whose drawings were brought to Haarlem by Carel van Mander in 1585, and had a strong immediate effect.[1] He painted mainly portraits as well as mythological and Biblical subjects. Initially Corneliszoon painted large-size, highly stylized works with Italianate nudes in twisted poses with a grotesque, unnatural anatomy. Later, his style changed to one based on the Netherlandish realist tradition. When his parents fled Haarlem in 1572, as the Spanish army laid siege to the city during the Eighty Years' War, Corneliszoon remained behind and was raised by the painter Pieter Pietersz., his first teacher. Later, Corneliszoon studied in Rouen, France and Antwerp, Belgium. Corneliszoon in 1583 received his first official commission from the city of Haarlem, a militia company portrait, the Banquet of the Haarlem Civic Guard. He later became city painter of Haarlem and received numerous official commissions. As a portrait painter, both of groups and individuals, he was an important influence on Frans Hals. Together with Carel van Mander, Hendrick Goltzius and other artists, Corneliszoon formed the Haarlem Academy or "Haarlem Mannerists". Probably this was a very informal grouping, perhaps meeting to draw nude models, and certainly to exchange artistic views.[2] Corneliszoon also played a role in reorganizing the Haarlem artists' and artisans' Guild of St. Luke, eliminating its medieval organization and raising the status of the artists. Corneliszoon married Maritgen Arentsdr Deyman, the daughter of a mayor of Haarlem, sometime before 1603.



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