Las ˇleos de todo Boris Kustodiev

ID Image  Painting (From A to Z)       Details 
Boris Kustodiev, A Bolshevik
 A Bolshevik   mk193 1920 Oil on canvas 101x141cm
Boris Kustodiev, Blue House
 Blue House   Blue House (1920)
Boris Kustodiev, Bolshevik
 Bolshevik   mk68 Oil on canvas Moscow, Tretyakov State Gallery 1920 Russia
Boris Kustodiev, Bolshevik
 Bolshevik   Bolshevik (1920).
Boris Kustodiev, Carnival
 Carnival   mk100 1916 Oil on canvas 61x123cm
Boris Kustodiev, Country
 Country   Country (1919)
Boris Kustodiev, Easter Greetings
 Easter Greetings   Easter Greetings (1912).
Boris Kustodiev, Fair
 Fair   Fair (1910).
Boris Kustodiev, Fiodor Shaliapin
 Fiodor Shaliapin   1922 The Russian Museum, St.Petersburg
Boris Kustodiev, Irina
 Irina   Irina (daughter) (1906).
Boris Kustodiev, Isaak Brodsky
 Isaak Brodsky   Isaak Brodsky (1920).
Boris Kustodiev, Julia Kustodieva
 Julia Kustodieva   1903 The Russian Museum, St.Petersburg
Boris Kustodiev, Kapitsa and Semenov
 Kapitsa and Semenov   Kapitsa and Semenov (1921).
Boris Kustodiev, Maslenitsa Tuesday
 Maslenitsa Tuesday   Maslenitsa Tuesday (1916).
Boris Kustodiev, Maximilian Voloshin
 Maximilian Voloshin   Maximilian Voloshin (1924).
Boris Kustodiev, Merchant Chest Maker
 Merchant Chest Maker   1923 The Artistic Museum, Nizhny Novgorod
Boris Kustodiev, Mir Iskusstva Members
 Mir Iskusstva Members   Mir Iskusstva Members (1916?C1920).
Boris Kustodiev, Nikolai Roerich
 Nikolai Roerich   1913 The Russian Museum, St.Petersburg
Boris Kustodiev, Portrait of Elizabeth Grigorievna Pushkina
 Portrait of Elizabeth Grigorievna Pushkina   Portrait of Elizabeth Grigorievna Pushkina (Early 1900s).
Boris Kustodiev, Portrait of Fyodor Chaliapin
 Portrait of Fyodor Chaliapin   mk193 1921 Oil on canvas 215x172cm
Boris Kustodiev, Portrait of Julia Kustodieva
 Portrait of Julia Kustodieva   Portrait of Julia Kustodieva (wife) (1903).
Boris Kustodiev, Portrait of Julia Kustodieva
 Portrait of Julia Kustodieva   1903(1903) Medium Oil on canvas Dimensions 139 x 133.5 cm (54.7 x 52.6 in) cyf
Boris Kustodiev, Portrait of president of the Russian Historian Society
 Portrait of president of the Russian Historian Society   oil on canvas mounted on panel Dimensions 63 X 51.3 cm cyf
Boris Kustodiev, Portrait of Renee Notgaft
 Portrait of Renee Notgaft   Portrait of Renee Notgaft (1914).
Boris Kustodiev, Portrait of the Governor-General of Finland and member of State Council Nikolai Ivanovich Bobrikov. Study for the picture Formal Session of the State
 Portrait of the Governor-General of Finland and member of State Council Nikolai Ivanovich Bobrikov. Study for the picture Formal Session of the State   1902-1903 Medium oil on canvas Dimensions 60.5 x 43 cm (23.8 x 16.9 in) cjr
Boris Kustodiev, Portrait of Vasiliy Mate
 Portrait of Vasiliy Mate   Portrait of Vasiliy Mate (1902).
Boris Kustodiev, Promenade Along Volga River
 Promenade Along Volga River   Promenade Along Volga River (1909).
Boris Kustodiev, Renee Notgaft
 Renee Notgaft   1914 The Russian Museum, St.Petersburg
Boris Kustodiev, Russian Historian Society
 Russian Historian Society   1902-1903 Medium Oil on canvas mounted on panel Dimensions 63 x 51.3 cm (24.8 x 20.2 in) cyf
Boris Kustodiev, Russian Venus
 Russian Venus   Russian Venus (1926).
Boris Kustodiev, Self-Portrait
 Self-Portrait   mk52 1912 Tempera on board 100x85cm Uffizi,Florence
Boris Kustodiev, Shalyapin
 Shalyapin   Shalyapin (1921).
Boris Kustodiev, Stepan Razin
 Stepan Razin   Stepan Razin (1918).
Boris Kustodiev, The Artist's Daughter, Irina
 The Artist's Daughter, Irina   1906(1906) Medium oil cjr
Boris Kustodiev, The Bolshevik
 The Bolshevik   1920(1920) Medium oil on canvas Dimensions 101 x 141 cm (39.8 x 55.5 in) cjr
Boris Kustodiev, The Consecration of the Waters at Epiphany
 The Consecration of the Waters at Epiphany   mk100 1921 Oil on canvas 89x74cm
Boris Kustodiev, The Merchant Wife
 The Merchant Wife   The Merchant's Wife, (1918
Boris Kustodiev, The Merchants Wife
 The Merchants Wife   oil on canvas cyf
Boris Kustodiev, Tsar Nicholas II
 Tsar Nicholas II   Tsar Nicholas II (1915)
Boris Kustodiev, Yevgeny Zamyatin
 Yevgeny Zamyatin   Yevgeny Zamyatin (1923).

Boris Kustodiev
1878-1927 Russian Boris Kustodiev Galleries The Russian Revolution of 1905, which shook the foundations of society, evoked a vivid response in the artist's soul. He contributed to the satirical journals Zhupel (Bugbear) and Adskaya Pochta (Hell??s Mail). At that time, he first met the artists of Mir Iskusstva (World of Art), a group of innovative Russian artists. He joined their association in 1910 and subsequently took part in all their exhibitions. In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical Russian literature, including Nikolai Gogol's Dead Souls, The Carriage, and The Overcoat; Mikhail Lermontov's The Lay of Tsar Ivan Vasilyevich, His Young Oprichnik and the Stouthearted Merchant Kalashnikov; and Leo Tolstoy's How the Devil Stole the Peasants Hunk of Bread and The Candle. In 1909, he was elected into Imperial Academy of Arts. He continued to work intensively, but a grave illness??tuberculosis of the spine??required urgent attention. On the advice of his doctors he went to Switzerland, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted The Merchant's Wife, which became the most famous of his paintings. The Merchant's Wife, (1918).In 1916, he became paraplegic. "Now my whole world is my room", he wrote. His ability to remain joyful and lively despite his paralysis amazed others. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life. His Pancake Tuesday/Maslenitsa (1916) and Fontanka (1916) are all painted from his memories. He meticulously restores his own childhood in the busy city on the Volga banks. In the first years after the Russian Revolution of 1917 the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations. His covers for the journals The Red Cornfield and Red Panorama attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in lithography, illustrating works by Nekrasov. His illustrations for Leskov's stories The Darner and Lady Macbeth of the Mtsensk District were landmarks in the history of Russian book designing, so well did they correspond to the literary images.

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