Las ˇleos de todo ALLORI Alessandro


ID Image  Painting (From A to Z)       Details 
4690  
ALLORI Alessandro, Allegory of Human Life  kig
 
 Allegory of Human Life kig   1570-90 Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence
58372  
ALLORI Alessandro, Cosimo I dressed in a portrait of Qingqi Breastplate
 
 Cosimo I dressed in a portrait of Qingqi Breastplate   mk261 Florence, about 1555-1560 years wood canvas 105 x 81 cm
29872  
ALLORI Alessandro, Hercules Crowned by the Muses
 
 Hercules Crowned by the Muses   mk67 Oil on copper 15 3/4x 11 1/8in Uffizi,Gallery
29137  
ALLORI Alessandro, Madonna and Child
 
 Madonna and Child   mk65 Oil on canvas 51x45"
68627  
ALLORI Alessandro, Maria de Medici
 
 Maria de Medici   Date Deutsch: um 1555 Technique Deutsch: Öl auf Pappelholz Dimensions Deutsch: 114,5 x 89,5 cm
74234  
ALLORI Alessandro, Maria de Medici
 
 Maria de Medici   Date Deutsch: um 1555 Medium Deutsch: Öl auf Pappelholz Dimensions Deutsch: 114,5 x 89,5 cm cyf
45420  
ALLORI Alessandro, Museum art historic Christ with Maria and Marta
 
 Museum art historic Christ with Maria and Marta   mk186 1605 Vienna
86291  
ALLORI Alessandro, Pearl Fishers
 
 Pearl Fishers   Oil on slate, 116 x 86 cm cyf
84317  
ALLORI Alessandro, Portrait of a Florentine Lady
 
 Portrait of a Florentine Lady   16th century Medium Oil on panel Dimensions 54.6 x 42.3 cm (21.5 x 16.7 in) cyf
76233  
ALLORI Alessandro, Portrait of a Florentine Nobleman
 
 Portrait of a Florentine Nobleman   Date 16th century Medium Oil on panel Dimensions 70 ?? 55 cm (27.6 ?? 21.7 in) c yf
4689  
ALLORI Alessandro, Portrait of a Woman hhhy
 
 Portrait of a Woman hhhy   1570-90 Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence
4691  
ALLORI Alessandro, Portrait of a Young Man  hgjgh
 
 Portrait of a Young Man hgjgh   Oil on canvas transferred from wood, 117 x 87,5 cm The Hermitage, St. Petersburg
29813  
ALLORI Alessandro, Portrait of Barbara Pallavicino
 
 Portrait of Barbara Pallavicino   mk67 Oil on panel 18 5/16x13 3/4in Uffizi,Gallery.
96471  
ALLORI Alessandro, Portrait of Bianca Cappello
 
 Portrait of Bianca Cappello   16th century Medium oil cyf
77195  
ALLORI Alessandro, Preaching of St John the Baptist
 
 Preaching of St John the Baptist   Date between 1601(1601) and 1603(1603) Medium Oil on copper Dimensions Width: 47 cm (18.5 in). Height: 39 cm (15.4 in). cyf
4692  
ALLORI Alessandro, St Peter Walking on the Water
 
 St Peter Walking on the Water   1590s Oil on copper, 47 x 40 cm Galleria degli Uffizi, Florence
32224  
ALLORI Alessandro, Susanna and The Elders
 
 Susanna and The Elders   Oil on canvas, 202 x 7 cm
73136  
ALLORI Alessandro, Susanna and the Elders
 
 Susanna and the Elders   Date Medium Oil on canvas Dimensions 202 X 117 cm (79.53 X 46.06 in) cyf
29869  
ALLORI Alessandro, The Annunciation
 
 The Annunciation   mk67 Oil on canvas 63 3/4x40 9/16in
42023  
ALLORI Alessandro, The Anunciacion
 
 The Anunciacion   mk166 1603 I Wave on cloth 162x103cm Galeria of the Academy Florence
45477  
ALLORI Alessandro, The banquet of the Kleopatra
 
 The banquet of the Kleopatra   mk186 1570 Florence, Palazzo Vecchio, Studiolo di Francesco I de' Medici
29870  
ALLORI Alessandro, The Baptism of Christ
 
 The Baptism of Christ   mk67 Oil on panel 65 1/8x38 3/16in
4688  
ALLORI Alessandro, The Body of Christ with Two Angels
 
 The Body of Christ with Two Angels   Oil on copper, 45 x 39 cm Museum of Fine Arts, Budapest
45493  
ALLORI Alessandro, The communion
 
 The communion   mk186 1582 Florence, Stanta Maria del Carmine
45485  
ALLORI Alessandro, The wedding to canons
 
 The wedding to canons   mk186 1592 Florence church Sant' Agata
4693  
ALLORI Alessandro, Venus and Cupid
 
 Venus and Cupid   Oil on wood Mus??e Fabre, Montpellier
32226  
ALLORI Alessandro, Venus and Cupid
 
 Venus and Cupid   Oil on wood

ALLORI Alessandro
Italian Mannerist Painter, 1535-1607 Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy. Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion.



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