Delphic Sybyl The Holy Family fg The Sierra Nevada in California Departure COELLO, Claudio The Church Militant and Triumphant -deta platform bed frame Olt GOES, Hugo van der Wheatfields With Cypress at Arles La Cote du Fallais,Pontoise A Fishmonger-s shop -46- Three Ages of Man and Three Graces The Return of Judith City at Moonrise hoodhunter monet The Stolen Kiss Portrait of Adeline Ravoux -nn04- Bia, The Illegitimate Daughter of Cosimo Portrait of Georges Wille ge The Bear Dance Gustave Guillaumet May Morning on Magdalen Tower Guilford The Figurantes injection moulding machine Is Bay Corneille Huysmans public abstract class Montreux La Visite reque stretched pussy lip effigy north part team two Madonna del Sacco,d-apres Andrea del Sar Femmu dans un Paysage Old Woman Cooking Eggs Girls Putting Flowers in their Hats apples and pears in a round basket M.et M Edmond Morbilli
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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