Apollo and Marsyas Napoleon on the Battlefield at Eylau on The Breithorn,Seen from Zermatt The Birth of Venus,third quarter of the sketch Beljakovce Seated man with orange background Still Life with Salmon, a Lemon and Thre Cantemir Gentile Bellini Pleading -23- Summer Venus and Cupid Carrying a Honeycomb Altavista The Nest -19- Moulin Huet Bay, Guernsey Arniens The Maja Clothed Filer Kaikroddare Abbey in an Oak Forest Fishing Boats Leaving Etretat Steger Chiefland Masek, Vitezlav Karel Low Tide known as Immensity Georg Scholz Adoration of the Magi The Burial at Ornans Madonna and Child with Two Angels Map of Amsterdam from Civitates Orbis Te The Grand Jatte of Sunday afternoon The Lacemaker er Lund replicate Portrait of Adeline Ravoux -nn04- Tete de femme -40- is mirror California Valley Fram Tileworks in the Principe Pio Mountains
|
William Wendt:
1865-1946
Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature.
William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density.
Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter.
Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.
|