All TIBALDI, Pellegrino's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
63015  
TIBALDI, Pellegrino, Adoration of the Christ Child
  		Adoration of the Christ Child 1548 Oil on canvas Galleria Borghese, Rome Pellegrino Tibaldi (also Pellegrino da Bologna) was influenced by Perin del Vaga during a stay in Rome in 1547 (as seen in the decoration of the Castel Sant' Angelo). Later he orientated towards Michelangelo. In his Adoration of the Christ Child, 1548, Pellegrino Tibaldi surrounds the infant Jesus by a whirling crowd of worshipping figures reminiscent of the angels and the damned in the Last Judgement in the Sistine Chapel. Artist: TIBALDI, Pellegrino Painting Title: Adoration of the Christ Child , 1551-1600 Painting Style: Italian , , religious
9281  
TIBALDI, Pellegrino, Adoration of the Christ Child gi
  		Adoration of the Christ Child gi 1548 Oil on canvas Galleria Borghese, Rome
32870  
TIBALDI, Pellegrino, Gathering the Manna
  		Gathering the Manna mk84 1586 El Escoria,Sagrario fresco
90196  
TIBALDI, Pellegrino, La Sacra Famiglia con Santa Caterina d'Alessandria di Pellegrino Tibaldi e un quadro
  		La Sacra Famiglia con Santa Caterina d'Alessandria di Pellegrino Tibaldi e un quadro 1554-1555 Medium oil on panel cjr
32871  
TIBALDI, Pellegrino, Marty of St.Lawrence
  		Marty of St.Lawrence mk84 1592 El Escorial basilica canvas 419x315cm
43685  
TIBALDI, Pellegrino, Martyrdom of St Lawrence
  		Martyrdom of St Lawrence 1592 Oil on canvas, 419 x 315 cm
TIBALDI, Pellegrino
Italian Painter, 1527-1596 Painter and architect. Pellegrino Tibaldi's early paintings show the influence of Bagnacavallo and of other Bolognese followers of Raphael, but his actual teacher is unknown. Vasari's claim that his own works in S Michele in Bosco, Bologna, formed Tibaldi's artistic education is hardly borne out by the latter's first efforts. The Mystic Marriage of St Catherine (c. 1545; Bologna, Pin. N.) is, in its classical, hierarchical simplicity, clearly inspired by Raphael's manner as interpreted by his Bolognese imitators; although it also bears delicate marks of Parmigianino's grace, the power of its expressive dignity and the architectural background hint at Tibaldi's future development. Tibaldi's Adoration of the Shepherds



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