All Leonardo Da Vinci's oil paintings

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Oil Pantings, Sorted from A to Z

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52741

A full-scale composition of the Virgin and Child with St Anne and the infant St John the Baptist

mk223 before he left Milan,between 1497 and 1499

38467

A rock gorge

mk137 ca. 1494 feathers and ink on paper 22x15.8cm Royal Library, Windsor Castle.

29403

Abendmahl

mk66 1495-1497 Wandmalerei mit Ol und Tempera auf Putz 420x910cm S.Maria delle Grazie,Mailand

94658

Adoration of the Magi

1481 Type oil on wood Dimensions 246 cm x 243 cm (97 in x 96 in) cyf

21285

Adoration of the Magi (mk08)

C.1481 Oil and bistre on wood 240x246cm Florence,Galleria degli Uffizi

38534

Anatomical drawing of the stomach and the intestine

mk137 ca. 1506 feathers and brown India ink, traces of black chalk 19.2x13.8cm Royal Library, Windsor Castle

38538

Anatomical studies of the basin of the Steibeins and the lower Gliedmaben of a woman and study of the rotation of the arms

mk137 ca.1509-1510 feather and brown India ink and black chalk 28.6x19.3cm Royal Library, Windsor Castle

38532

Anatomical study of the brain and the scalp

mk137 ca.1490-1493 feather and brown India ink and Rotel 20.3x15.2cm Royal Library, Windsor Castle

38528

Anatomy of the Schadels

mk137 1489 feathers and ink 19x13.3cm Royal Library, Windsor Castle.

56621

anna sjalv tredje

mk248 livet stralar fran marias moder moder annas buvud genom de tre generationerna i en intrikat, foljsam vagrorelse kallad contrapposto.

33247

Annunciation

mk83 c.1437-1475

58590

Annunciation

Annunciation (1475?C1480)??Uffizi, is thought to be Leonardo's earliest complete work

7845

Annunciation sgt66

1472-75 Tempera on wood, 98 x 217 cm Galleria degli Uffizi, Florence

7857

Annunciation (detail) fg47

1478-82 Oil on panel Mus??e du Louvre, Paris

7848

Annunciation (detail) dfe

1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence

7846

Annunciation (detail) dg

1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence

7858

Annunciation (detail) ey79

1478-82 Oil on panel Mus??e du Louvre, Paris

7847

Annunciation (detail) sg77

1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence

7849

Annunciation (detail) st

1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence

38450

Aurelio Luini attributed, profile of an old man

mk137 16.Jahrhundert. Feather metal stiff and ink 13x10.2cm Biblioteca real, Turin

52329

Battle of Anghiari

1503-05 Oil on panel, 85 x 115 cm

86832

Benois Madonna

ca. 1478(1478) Medium English: oil on canvas (originally panel) Dimensions 49.5 x 31.8 cm (19.5 x 12.5 in) cyf

38449

Buste one frontal to seeing man and head of a Lowen

mk137 ca.1505-1510 Rotel and Weibhohungen on paper 18.3x13.6cm Royal Library, Windsor Castle.

25953

Cecila Gallerani (mk45)

c.1484 Oil on panel. 54x40cm Krakow,Muzeum Narodowe

7867

Ceiling decoration yy

1496-98 Fresco and tempera Sala delle Asse, Castello Sforzesco, Milan

30913

Details of Mona Lisa

mk68 c.1507

44882

Drawing of an Infant

mk176 c.1510-12 Accademia venice

52331

Equestrian monument

1517-18 Black chalk on paper, 278 x 184 mm

7872

Female head (La Scapigliata) wt

c. 1508 Oil on panel, 27 x 21 cm Galleria Nazionale, Parma

38522

Funf studies of grotesque faces

mk137 ca. 1494 feathers and ink 26x20.6cm Royal Library, Windsor Castle.

38535

Gekrose of the intestine and its Gefabsystems

mk137 ca.1506 feather and India ink traces of black chalk 19.3x14.3cm Royal Library, Windsor Castle

38521

Grotesque profile of a man

mk137 ca.1485-1490 feather and ink 12.6x10.4cm Biblioteca Ambrosiana, Milan

38518

Head and shoulders Christs

mk137 ca.1490-1495 metal pencil 115x9cm Galleria Dell' Accademia Venice

63027

Head of a girl

1483 Silverpoint and white highlights on prepared paper, 181 x 159 mm Biblioteca Reale, Turin The eminent art expert Bernhard Berenson called this sheet "the most beautiful drawing in the world." It is thought to be a study for the angel in the Virgin of the Rocks in the Musee du Louvre, Paris. Artist: LEONARDO da Vinci Painting Title: Head of a girl , 1451-1500 Painting Style: Italian , graphics Type: study

45191

Hi Hieronymus

mk180 um 1480 Vatikanische Museen

70873

Hl. Anna, Maria, Christuskind mit Lamm

1510(1510) Oil on panel 168 x 112 cm (66.14 x 44.09 in)

38464

Holy Hieronymus

mk137 1482 Tempera and oil on wood chalkboard 103x75cm Pinacoteca Vaticana, Rome

38527

Interior view of the Schadels

mk137 1489 feathers and ink 19x13.3cm Royal Library, Windsor Castle

38433

Jacopo Bellini

mk137 that of Leonello d' Este madonna of the humility admired ca. 1440 oils on wood chalkboard 60x40cm muse you Louvre, Paris

38497

Knieened figure in Draperie

mk137 ca. 1490 brushes black ink and grey India ink 21.2x15.9cm Royal Library, Windsor Castle

53718

Kvinnoportratt

mk234 about 1474 39x37cm

7861

La belle Ferronire dg

c. 1490 Oil on panel, 63 x 45 cm Muse du Louvre, Paris

56620

la scapigliata

mk248 studie i olja, kanske en madonna, kand som kvinna med ostyrigt har.

30960

La Vierge,l'Enfant Jesus et sainte Anne

mk70 Bois. H.1,68 L.1,30 Paris,Musee du Louvre

53717

Lady with Ermine

mk234 about 1485 54x39cm

38516

Lady with the ermine

mk137 1483-1490 oil on wood chalkboard 54.8x40.3cm Czartoryski museum, Krakau

38465

Landscape in the Arnotal

mk137 1473 feathers and ink 19x28.5cm Galleria degli Uffizi, Florence

30446

Last Supper

mk68 Tempera 13'9x29'10" Milan,Convent of Santa Maria delle Grazie

38513

Last Supper

mk137 1495-1498 oil and Tempera on stone 460x880cm Santa Maria della grace Milan

21284

Last Supper (mk08)

1495-1498 Oil tempera on plaster 460x880cm Milan,Santa Maria delle Grazie,Refectory

92178

Leda

Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence Date between 1508(1508) and 1515 cyf

98293

Leda

Leda Date circa 1530(1530) Medium oil on panel cyf

7882

Leda fh

1510-15 Oil on panel, 112 x 86 cm Galleria Borghese, Rome

7881

Leda (detail) ghk

1508-15 Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence

28848

Leda and the Swan

mk65 Panel 51 3/16x30 1/2in Uffizi,Depository

7880

Leda h

1508-15 Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence

38432

Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels

mk137 ca. 1470 Tempera on wood chalkboard 96.5x70.5cm The nationally Gallery London

58588

Lorenzo de Medici between Antonio Pucci and Francesco Sassetti, with Giulio de Medici, fresco by Ghirlandaio

Lorenzo de' Medici between Antonio Pucci and Francesco Sassetti, with Giulio de' Medici, fresco by Ghirlandaio

38509

Madchenkopf with confused hair

mk137 1500 Umbra and grunlicher Amber with Weibhohungen on wood chalkboard 24.7x21cm Galleria Nazionale, Parma

40971

Madonna and Child

mk159 c.1490-91 Tempera on canvas transferred from panel 42x33cm

7850

Madonna and Child with a Pomegranate et

1472-76 Oil on panel, 15,7 x 12,8 cm National Gallery of Art, Washington

52318

Madonna and Child with St Anne and the Young St John

1507-08

53720

Madonna in the cave

mk234 about 1508 190x120cm

38501

Madonna in the rock grotto

mk137 1483-1486 oil on linen 199x1222cm muse you Louvre, Paris

38496

Madonna in the rock grottos

mk137 1491-1508 oils on wood chalkboard 189.5x120cm The nationally Gallery, London

38502

Madonna in the rock grottos

mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London

38503

Madonna in the rock grottos(Details

mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London

7863

Madonna Litta (detail sdg

c. 1490-91 Tempera on canvas, transferred from panel The Hermitage, St. Petersburg

7862

Madonna Litta ey

c. 1490-91 Tempera on canvas, transferred from panel, 42 x 33 cm The Hermitage, St. Petersburg

94672

Madonna of the Yarnwinder

c. 1499 onwards Type Oil on walnut Dimensions 48.3 cm x 36.9 cm (19.0 in x 14.5 in) cyf

40970

Madonna with a Flower

mk159 Oil on cnvas Transferred from panel 49.5x31.5cm

7853

Madonna with a Flower (Madonna Benois) g

c. 1478 Oil on canvas transferred from wood, 50 x 32 cm The Hermitage, St. Petersburg

38434

Madonna with the carnation

mk137 ca. 1470 oils Pinakothek Munchen old on wood chalkboard 62x47.5cm

44460

Madonna with the Yarnwinder

c. 1501 Oil on panel, 48,3 x 36,9 cm

83810

Madonna with the Yarnwinder

Date after 1510(1510) Medium Oil on panel, cjr

87709

Madonna with the Yarnwinder

1510(1510) Medium Oil on panel, transferred to canvas cyf

89385

Madonna with the Yarnwinder

1510(1510) Medium Oil on panel, transferred to canvas cyf

7877

Madonna with the Yarnwinder tw

c. 1501 Oil on panel, 48,3 x 36,9 cm Private collection

7879

Madonna with the Yarnwinder (detail) dft

fter 1510 Oil on panel, transferred to canvas Private collection, New York

52330

Madonna with the Yarnwinder after 1510

Oil on panel

7878

Madonna with the Yarnwinder ty

after 1510 Oil on panel, transferred to canvas, 50,2 x 36,4 cm Private collection, New York

42649

Maria with Child and St. Anna

MK169 1508-10 Panel 168x130cm Louvre, Paris

38451

Master of the Pala Sforzesca, profile of an old man

mk137 ca. 1495 silver stiff on paper 15x11.5cm Galleria degli Uffizi, Florence

30456

Mona Lisa

mk68 oil on wood 30 3/4x21" Paris,Louvre c.1507 Italy

33455

Mona Lisa

mk86 c.1503-1505 Oil on wood 77x53cm Paris,Musee National du Louvre

42650

Mona Lisa

MK169 1503-06 Panel 76.8x53.3cm Louvre, Paris

44881

Mona Lisa

mk176 c.1503-05 Oil on wood 30x21

53716

Mona Lisa

mk234 1503 77x53cm

56819

Mona Lisa

mk250 About the Year in 1503-1505. Oil painting of wood, about 77 x 53 cm. The Louvre in Paris.

57236

Mona Lisa

mk255 for in the years 1503-1506. 0.77 x 0.53 meters canvas. Paris, the Louvre

61739

Mona Lisa

Oil painting on board, 77x53 cm.

7870

Mona Lisa (detail) dhu

1503-5 Oil on panel Mus??e du Louvre, Paris

7869

Mona Lisa (detail) dyk

1503-5 Oil on panel Mus??e du Louvre, Paris

7871

Mona Lisa (detail) r y

1503-5 Oil on panel Mus??e du Louvre, Paris

7868

Mona Lisa (La Gioconda) sdg

c. 1503-5 Oil on panel, 77 x 53 cm Mus??e du Louvre, Paris

21276

Mona Lisa (mk08)

c.1503-1505 Oil on wood, 77x53cm Paris,Musee National du Louvre

25886

Mona Lisa (mk45)

38525

Muscle structure of the thigh

mk137 Feather and ink black chalk 28.6x20.7cm Royal Library, Windsor Castle

38526

Muscles and bone of leg and Hufte

mk137 vergleichends study to the skeleton of the person and the horse ca.1506-1508 feather and ink with Rotel before red background 28.5x20.5cm Royal Library, Windsor Castle

62019

Our Lady and St Anne

mk276 1503 Oil on canvas 168 x 112cm Paris Louvre

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Leonardo Da Vinci

Italian High Renaissance Painter and Inventor, 1452-1519 Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

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