All Jean Hey's oil paintings
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| ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
| 2169 |
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Anne of France |
1492-93
Musee du Louvre, Paris |
| 2172 |
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Madeline of Burgundy |
1490
Musee du Louvre, Paris |
| 2170 |
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Pierre II |
Musee du Louvre, Paris |
| 20016 |
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Pierre II Duke of Bourbon Presented by St Peter (mk05) |
ca 1492-1493
Wood 28 1/2 x 25 1/2\'\'(73 x 65 cm)Entered the Louvre in 1842 |
| 2174 |
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Portrait of Charles II of Bourbon |
1488
Pinakothek, Munich |
| 2171 |
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Portrait of Margaret of Austria |
1490-91
Metropolitan Museum of Art, New York |
| 20014 |
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Portrait Presumed to be of Madeleine of Burgundy (mk05) |
Presented by st Madeleine
Wood 22 x 15 1/2''(56 x 40 cm)Entered the Louvre in 1904 |
| 2176 |
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Suzanne of Bourbon |
Musee du Louvre, Paris |
| 20015 |
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Suzanne of Bourbon Called Child at Prayer (mk05) |
Wood 10 1/2 x 6 1/4''(27 x 16 cm)Entered the Louvre in 1908 |
| 2168 |
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The Dauphin Charles Orlant |
Musee du Louvre, Paris |
| 42002 |
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The Madonna of the Apocalypse |
mk166
1480-1500 Painting Cathedral of Moulins France |
| 2175 |
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The Nativity of Cardinal Jean Rolin |
1480
Musee Rolin, Autun |
| 2173 |
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The Virgin in Glory Surrounded by Angels |
1489-99
Notre Dame, Moulins |
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| Jean Hey
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| Flemish Northern Renaissance Painter, active 1480-1500
Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perreal and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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